Terpsichore

Intangible Cultural Heritage (ICH) content means “the practices, representations, expressions, knowledge, skills – as well as the instruments, objects, artefacts and cultural spaces associated therewith”. Although, ICH content, especially traditional folklore performing arts, is commonly deemed worthy of preservation by UNESCO (Convention for the Safeguarding of ICH) and the EU […]

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Transforming Intangible Folkloric Performing Arts into Tangible Choreographic Digital Objects: The Terpsichore Approach

Abstract: Intangible Cultural Heritage is a mainspring of cultural diversity and as such it should be a focal point in cultural heritage preservation and safeguarding endeavours. Nevertheless, although significant progress has been made in digitization technology as regards tangible cultural assets and especially in the area of 3D reconstruction, the […]

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Convergence of Digital Media with the Traditional Folk Media in Assam: A Qualitative Analysis

The study stresses on the convergence of digital media with the traditional folk media in Assam (a state of India), and tries to shade some practical lights on the effects of digital media into the field of folk media. The research methodology used in this study is qualitative in nature; […]

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Cultural Heritage Preservation of Traditional Indian Art through Virtual New-Media

Traditional art and craft, practiced by various craft-guilds in the country are the evidence of Indian cultural heritage. Though the narratives depicted in the form of painted façade or scroll-paintings are the genesis of traditional Indian visual language, the scarcity of public awareness and seclusion from the mass is becoming […]

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Local Contexts: Traditional Knowledge Labels

Local Contexts is an initiative to support Native, First Nations, Aboriginal, and Indigenous communities in the management of their intellectual property and cultural heritage specifically within the digital environment. Local Contexts provides legal, extra-legal, and educational strategies for navigating copyright law and the public domain status of this valuable cultural […]

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Arteria – A Regional Cultural Mapping Project in Portugal

This paper discusses the relation between cultural mapping and participatory community cultural mapping, proposing the integration of a mobile device application (app) in the cultural mapping process of the Arteria project. This application aims to expand the notion of cultural appropriation by exploring how citizens can make crucial contributions to […]

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ʔeləw̓ k ̓ʷ — Belongings: A Tangible Interface for Intangible Cultural Heritage

ʔeləw̓ k̓ʷ — Belongings is an interactive tabletop using a tangible user interface to explore intangible cultural heritage. The table was designed for the c̓əsnaʔəm, the city before the city exhibition. This exhibition is a partnership of three major institutions in Vancouver, BC, exploring the significant ancient village site on […]

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In Search of An Oral Form of Design: Mobilizing Inuit Cultural Heritage

This paper explores the notion of an “oral form of design” in response to questions at the heart of a new major partnership project titled “Mobilizing Inuit Cultural Heritage.” It brings together Inuit and Qallunaat (non-Inuit) who are all engaged in various ways of exploring the cognitive and cultural gap […]

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Dancing the Mask, Potlatching the Exhibition: Performing Art and Culture in a Global Museum World

Impelled by globalization and decolonization, many museums today seek to position themselves within a global frame of reference which is more genuinely inclusive than was the modernist construct of the “universal” museum. Yet in their renewed encounters with the world, museums are also being challenged to recognize the particularity – […]

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A Yoruba Cultural Tradition Repository Knowledge Based System

In recent years researchers and experts have traditionally focused on how to enhance the look and functionality of how life issues are been tackled with respect to Africa cultural tradition for academic purposes and the development of cultural traditional system. Also, the discrimination between English and Yoruba language in the […]

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From vivid to virtual memory: The Philippine epics and ballads multimedia archive

Introduction (from page 127) I shall address you as a linguist-anthropologist working in the Philippines, where I first arrived in October 1969. I follow the teachings of A-G. Haudricourt, G. Condominas, and J.M.C. Thomas and L. Bouquiaux in this approach in anthropological linguistics. I am familiar with epic chanting and […]

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Aboriginal Territories in Cyberspace: Empowering First Nations with New Media Technologies (AbTeC)

AbTeC is a network of academics, artists and technologists whose goal is to define and share conceptual and practical tools that will allow us to create new, Aboriginally-determined territories within the web-pages, online games, and virtual environments that we call cyberspace. Our multi-faceted effort will include a storytelling series, an […]

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International Information and Networking Centre for Intangible Cultural Heritage in the Asia-Pacific Region (ICHCAP)

ICHCAP’s main role is to strengthen ‘Information and Networking’ in the framework of the 2003 UNESCO Convention. In light of this, we support activities directed toward the safeguarding of intangible cultural heritage among the 48 Member States of the Asia-Pacific region with a primary function of disseminating information and building […]

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Information & Networking for the Safeguarding of Intangible Cultural Heritage

Intangible cultural heritage (ICH) may not be palpable, yet it is broad reaching while spanning cultures and has been handed down throughout the history of humankind. It is also the living heritage that represents diverse cultural expressions and has been the mainspring of community identity and community spirit throughout humanity. […]

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Serious Games design: reflections from an experience in the field of Intangible Cultural Heritage education

[Pre-print version] This paper tackles the issue of Serious Games design by drawing on the experience conducted in the framework of the i-Treasures project, which deals with the preservation and transmission of Intangible Cultural Heritage (ICH). In i-Treasures a collection of Serious Games has been developed addressing four relevant ICH […]

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i-Treasures

i-Treasures (Intangible Treasures – Capturing the Intangible Cultural Heritage and Learning the Rare Know-How of Living Human Treasures FP7-ICT-2011-9-600676-i-Treasures) is an Integrated Project (IP) of the European Union’s 7th Framework Programme ‘ICT for Access to Cultural Resources’. The project started on February 1, 2013, and will last 48 months. Cultural […]

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Technology Intervention for the Preservation of Intangible Cultural Heritage (ICH)

This paper presents the initial outcomes of a key scoping study undertaken to explore the role of augmented reality and motion detecting technologies in the context of Intangible Cultural Heritage (ICH) for museums related environments. Initial prototypes are in the form of an interactive infrared camera based application for children […]

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Digital Archive of Ritual Poetry (DARP) prototype for preserving intangible cultural heritage

The National Institute of Anthropology and History (INAH) in Mexico City, Mexico, takes advantage of technological advances for the preservation and dissemination of material heritage, and explores new avenues of preservation and representation of intangible heritage. One example is the prototype Digital Archive of Ritual Poetry (DARP) digital tool that […]

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Preservation of African Culture in the Information Age

The purpose of this paper is to appraise the importance of Information Communication Technology (ICT) in preserving African cultural heritage in the information age. It examined the nature of African culture and established that the main commonality among Africans is the oral nature of the culture. It also discussed the […]

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An Integrated Platform Supporting Intangible Cultural Heritage Learning and Transmission

The paper offers an experience-based viewpoint on two key phases of the development of an Information and Communication Technologies (ICTs)-based system: the definition of requirements and identification of related criteria and methodology for its evaluation. In doing so, it refers to the unique context of the i-Treasures EU project, which […]

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Shiny Objects and Salvation: Navigating New Technologies for Intangible Cultural Heritage Preservation

Mark Oppenneer, Ethnos Project Director, presented this keynote address at El Primer Congresso Internacional Patrimonio Cultural y las Nuevas Tecnologias. The conference was held at El Instituto Nacional de Antropología e Historia (INAH) in Mexico City, December 2014. See the video side-by-side with the presentation slides Learn more about the […]

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El Primer Congresso Internacional Patrimonio Cultural y las Nuevas Tecnologias

This conference was held on 3-6 December, 2014, in Mexico City at El Instituto Nacional de Antropología e Historia (INAH). The National Institute of Anthropology and History (INAH) has a mission to safeguard cultural heritage by looking to stay ahead in the application of new technologies for the conservation, research […]

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People, Place and Community Memory: Creating Digital Heritage Databases in Remote Aboriginal Communities

In this paper I describe the Northern Territory Library’s, Libraries and Knowledge Centres program and examine some of the ways that digital technologies are being used to improve local access to archival materials in remote Australian Aboriginal communities. The development of community heritage databases gives some communities the opportunity toconstruct […]

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Exploring Respectful Design Directions for Indigenous Communities

Projects focusing on preserving cultural heritage are most usually instigated by a researcher. Yet, the question arises ‘whether such projects are beneficial for the studied communities?’ This paper describes the first part of a co-reflective, design research case study exploring through design the dynamics of the disappearance of culture heritage. […]

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