Terpsichore

Intangible Cultural Heritage (ICH) content means “the practices, representations, expressions, knowledge, skills – as well as the instruments, objects, artefacts and cultural spaces associated therewith”. Although, ICH content, especially traditional folklore performing arts, is commonly deemed worthy of preservation by UNESCO (Convention for the Safeguarding of ICH) and the EU […]

Transforming Intangible Folkloric Performing Arts into Tangible Choreographic Digital Objects: The Terpsichore Approach

Abstract: Intangible Cultural Heritage is a mainspring of cultural diversity and as such it should be a focal point in cultural heritage preservation and safeguarding endeavours. Nevertheless, although significant progress has been made in digitization technology as regards tangible cultural assets and especially in the area of 3D reconstruction, the […]

Convergence of Digital Media with the Traditional Folk Media in Assam: A Qualitative Analysis

The study stresses on the convergence of digital media with the traditional folk media in Assam (a state of India), and tries to shade some practical lights on the effects of digital media into the field of folk media. The research methodology used in this study is qualitative in nature; […]

Cultural Heritage Preservation of Traditional Indian Art through Virtual New-Media

Traditional art and craft, practiced by various craft-guilds in the country are the evidence of Indian cultural heritage. Though the narratives depicted in the form of painted façade or scroll-paintings are the genesis of traditional Indian visual language, the scarcity of public awareness and seclusion from the mass is becoming […]

Local Contexts: Traditional Knowledge Labels

Local Contexts is an initiative to support Native, First Nations, Aboriginal, and Indigenous communities in the management of their intellectual property and cultural heritage specifically within the digital environment. Local Contexts provides legal, extra-legal, and educational strategies for navigating copyright law and the public domain status of this valuable cultural […]

Arteria – A Regional Cultural Mapping Project in Portugal

This paper discusses the relation between cultural mapping and participatory community cultural mapping, proposing the integration of a mobile device application (app) in the cultural mapping process of the Arteria project. This application aims to expand the notion of cultural appropriation by exploring how citizens can make crucial contributions to […]

ʔeləw̓ k ̓ʷ — Belongings: A Tangible Interface for Intangible Cultural Heritage

ʔeləw̓ k̓ʷ — Belongings is an interactive tabletop using a tangible user interface to explore intangible cultural heritage. The table was designed for the c̓əsnaʔəm, the city before the city exhibition. This exhibition is a partnership of three major institutions in Vancouver, BC, exploring the significant ancient village site on […]

In Search of An Oral Form of Design: Mobilizing Inuit Cultural Heritage

This paper explores the notion of an “oral form of design” in response to questions at the heart of a new major partnership project titled “Mobilizing Inuit Cultural Heritage.” It brings together Inuit and Qallunaat (non-Inuit) who are all engaged in various ways of exploring the cognitive and cultural gap […]

Dancing the Mask, Potlatching the Exhibition: Performing Art and Culture in a Global Museum World

Impelled by globalization and decolonization, many museums today seek to position themselves within a global frame of reference which is more genuinely inclusive than was the modernist construct of the “universal” museum. Yet in their renewed encounters with the world, museums are also being challenged to recognize the particularity – […]